Header
Home Schedule (Download) IBM2 Special Guests & Celebrities Festival Bulletin
LOGIN / REGISTER
Registration is mandatory
spacer
Introduction 10th OCFF
Film List
Awards & Juries
Location of Events
Press
Contacts
Rules & Regulations


Osian's Homepage
Archives
OCFF 10 Mumbai


the Government of NCT of Delhi


Hospitality Partner


maintitle  
The films being screened over 10 days are also complemented by panel discussions that are part of our initiative, Infrastructure Building for Minds and Markets (IBM2). IBM2 brings a unique array of seminars and debates to discuss issues, analyze trends and explore the future of creative and business aspects of cinema. This year, these discussions and debates will focus on the models and processes of ‘Institution Building’ with special focus on The Osianama, the unique cultural complex being built by Osian’s, on the one hand and Writing and Cinema on the other. image
TALENT CAMPUS EXHIBITIONS CONFERENCES/ SEMINARS/ TALKS HIGHLIGHTS AUCTION
 
  BACKGROUND
On February 11, 2002, Terry Gilliam (12 Monkeys, the Monty Python films) addressed a crowd of 900 young actors, directors, and film students from all across the globe. He shared his experiences of making the film The Man Who Killed Don Quixote; how budget-cuts, back problems and freakish storms conspired to sabotage the project, forcing him to give it up after three years. After narrating the entire disaster to the captive audience, he simply stated, “I will make the film anyway!”

This was ‘Vision Day’ at the Berlin International Film Festival – the birthplace of Talent Campus. And what a vision! The following year, 472 talents from 61 countries were invited to the Festival in February, to be part of a unique interaction with their international colleagues and a host of experienced filmmakers.

Dieter Kosslick, Director of the Berlin International Film Festival and initiator of the Berlinale Talent Campus believes that the Talent Campus is a space for “reflection”. It provides room to discover one’s choices, and the opportunity to think about filmmaking as a profession. “I believe in the Asian way of learning” he said, “doing, and passing on your knowledge to the next generation”.

Since the first Berlinale Talent Campus in 2002, this has become a prominent event at the Berlin International Film Festival. The Talent Campus initiative has also travelled abroad to select international festivals: the Molodist Film Festival in Kiev, the Sithengi Festival in South Africa, the Buenos Aires Festival of Independent Cinema and Osian’s-Cinefan in New Delhi.

Over the years, participating experts at Berlinale Talent Campus have ranged from the renowned German filmmaker Wim Wenders (Wings of Desire, Paris Texas), Korea’s cult-filmmaker Park Chan-w]ook (Oldboy) to Brazilian filmmaker Walter Salles (Motorcycle Dairies). World-renowned cinematographers, composers, editors, writers, casting agents and costume designers, have all taken precious time off their schedules to share their stories, thoughts and the so-called ‘tricks of the trade’.

We at Osian’s-Cinefan are delighted to be hosting Talent Campus India for the fourth year in a row. The first three editions proved to be tremendously successful. Over a hundred and fifty young filmmakers from across the country and also from Pakistan, Bangladesh and Sri Lanka, have attended the Campus. Our list of experts, while not half as long as that of the Berlinale, has certainly been as distinguished – it includes Iranian filmmakers Samira and Mohsen Makhmalbaf, the maverick Australian-born cinematographer Christopher Doyle, French screenplay writer Jean Claude CarriĆ©re, award-winning German documentary filmmaker Andres Veiel, producers Marion Hansel and Wouter Barendrecht, Chinese filmmaker Hou Yong, Taiwanese sound designer Tu Duu Chih, Indian filmmakers Adoor Gopalakrishnan, Aparna Sen, Anurag Kashyap, Mani Kaul, Shyam Benegal, and actor/director Naseeruddin Shah among others.

Topics of discussion have included directing actors, cinematography, developing scripts, production design, sound design, independent filmmaking and the aesthetics of editing. The feedback was heart-warming: most felt that the experience was unique, inspiring and stimulating. “The best thing about Talent Campus was that all the speakers made us believe that we CAN make films and that we should just go out there and do it!”, said one Talent. Another reflected, “I got this feeling that I'm not alone making movies, that there’s a community out there and each one is trying to do his or her own thing and one can reach out to others”, while still another voiced that, “Talent Campus helped me to think out of the rut that film school tends to trap you in”.

Since the Campus, many participants have shown their films at international festivals. Some of them have begun dedicated work on directing their own films, developing screenplays, and a few have even collaborated on each other’s projects. Talents from the Campus in India have also participated in the Berlinale Talent Campus. Earlier this year, Monisha R. Baldawa, who attended our Campus in 2005, received awards for Best Film, Best Camera and Best Sound at Twilight 07, a festival of student short films.